Scheming Brother Tries Stealing From Our Dying Dad so I Take Everything

Viral | Written by Amelia Rose | Updated on 28 August 2025

Her voice cut through the silent, ridiculously expensive boutique and branded me a shoplifter right where I stood.

It was the second time that day I’d been judged and dismissed. First by my boss, who handed a project I bled for to a younger man, and now by this girl with a smug look and a designer uniform.

She saw a middle-aged woman in sensible shoes and assumed I was a target.

She had no idea the kind of rage she’d just uncaged.

What she didn’t realize was that I wasn’t just going to get mad; I was going to get even, using her own temple of overpriced leather and silk as the weapon to deliver a perfectly engineered, career-ending invoice.

The Invisible Thread: A Crack in the Blueprint

The email landed in my inbox like a small, digital brick. Its subject line, “Project Elysian: Team Finalization,” was deceptively bland. I clicked it open, my breath held in that shallow way you do when you’re bracing for a paper cut but suspect it might be a guillotine.

There it was. Michael Brask, leading the design team. Michael, with his sharp suits, aggressive handshakes, and a portfolio that was more flash than foundation. He was ten years my junior and his last project had run seventeen percent over budget. My proposal, the one I’d bled over for six weeks, was meticulous, innovative, and fiscally sound. It was also, apparently, shelved.

I minimized the window, my screen saver of a serene Japanese garden suddenly feeling like a mockery. This was the third time. The third major project I’d been sidelined on in favor of a younger, louder man. I wasn’t old, not really. Forty-six. But in the world of architecture, where youth is often confused with vision, I was starting to feel like a classic structure slated for demolition.

Mark, my husband, would tell me to rise above it. Chloe, my daughter, would call them sexist pigs and suggest I key Michael’s Tesla. I just felt… tired. A deep, cellular-level exhaustion that came from pouring your soul into a blueprint only to have someone else sign their name at the bottom.

I needed air. I needed to walk away from the ghost of my project, from the faint scent of my boss’s condescending “better luck next time” before he even said it. I grabbed my purse, a well-worn leather satchel that had seen me through countless site visits, and walked out of the office. The street was a blast of early autumn air. I needed something to disrupt the gray numbness settling over me. Something frivolous. Something that was mine.

A Gilded Cage

The boutique was called Aurelia’s. It was one of those places that looked less like a store and more like a curated museum exhibit for the impossibly wealthy. The kind of place you walk into when you want to feel like a different person, even just for ten minutes. Today, that was exactly what I needed.

A tiny bell chimed, a sound too delicate for the city noise outside. The air inside was cool and smelled of verbena and leather. Everything was minimalist: white walls, brushed gold racks, and a single, intimidatingly beautiful employee standing behind a marble counter.

She was young, maybe twenty-two, with severe black hair cut into a sharp bob and eyes lined with surgical precision. She wore an all-black ensemble that probably cost more than my monthly mortgage payment. She looked up from her phone, her gaze sweeping over me in a quick, dismissive inventory. From my sensible flats to my two-day-old blowout, I was catalogued and found wanting.

“Can I help you?” she asked, and the tone wasn’t an offer of assistance. It was a challenge.

“Just looking,” I said, trying to inject a breezy confidence I absolutely did not feel. I felt like an interloper, a fraud in sensible shoes. The ghost of Michael Brask’s smirking face seemed to be superimposed on a rack of silk blouses. I pushed it away and ran my hand over a cashmere sweater, the softness a small, tactile comfort.

I moved deeper into the store, past displays of jewelry that glittered like captive stars. I was conscious of the click of my heels on the polished concrete floor, a clumsy sound in the cathedral-like silence. I was the only customer. The silence, and the girl’s unnerving stillness, began to feel less like serenity and more like a held breath.

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About the Author

Amelia Rose

Amelia is a world-renowned author who crafts short stories where justice prevails, inspired by true events. All names and locations have been altered to ensure the privacy of the individuals involved.